Pixilation et pose longue de nuit appliquée à la danse à Prague en 1989

暂无剧情简介

Wilhelm II and Nicholas II, on horseback, parade in front of the cheering crowd, during the inauguration ceremony of William I's monument in Breslau, Germany (nowadays Wroclaw, Poland).

A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the first remake.

The year following the Stanley Cup victory, Pierre Lambert is chosen to play in a World Cup Tournament in Europe and Canada. However, he must cope with the breakup of his current girlfriend, then being chased by a crazed and doped photograph, and being harassed by his father-in-law who's the coach of Team Canada, fearing his "depression" may affect the team. He seems to find love with a cop's daughter, however, he must also cope with his sister's Suzy relationship with a french hockey player who has cancer, and befriends a Soviet player who dreams of defecting the USSR, whose lover is a KGB agent... Can he still get out of these situations and help Team Canada win the coveted championship ?

暂无剧情简介

Immerse yourself in the private world of Canadian soprano and conductor Barbara Hannigan in this unique documentary directed by her collaborator, French actor and director Mathieu Amalric. The film offers a unique insight into Hannigan’s work as she rehearses a new piece that New York instrumentalist and composer John Zorn has created especially for her, accompanied by British pianist Stephen Gosling.

A collection of music videos by Big Audio Dynamite. Featuring videos for The Bottom Line, E=MC^2, Medicine Show, C'mon Every Beatbox, V-Thirteen, Sightsee M.C!, Just Play Music, James Brown, Contact, Rush, and The Globe.

Peter Gidal’s starting point for his 16mm film was a soundtrack that consists of three lines from a 1,000 word story written by Gidal in 1971, read by William Burroughs. Gidal describes the film’s ‘so-called imagery’ as ‘a complex of barely visible cuts in space and time, the opposite of erasure, but nothing so much as visible’.